MemoryEditorColumns » History » Version 21
Dan Smith, 07/30/2023 12:56 PM
1 | 20 | Dan Smith | # Understanding CHIRP's columns |
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2 | 1 | Dan Smith | |
3 | 3 | Dan Smith | {{>toc}} |
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5 | 8 | Dan Smith | This document is intended to help users understand the meaning of each column in the channel editor. In most cases, the default value for a column can be used if you don't know what the meaning of the column is. |
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7 | 9 | Dan Smith | Users unfamiliar with programming radios are encouraged to enable *Hide Unused Fields* mode in the *View* menu. Also, enabling *Smart Tone Modes* in the same location can be rather helpful for reducing confusion. |
8 | 1 | Dan Smith | |
9 | 20 | Dan Smith | ## Loc |
10 | 1 | Dan Smith | |
11 | This is the location or "channel number" of the memory. The limits of what can be in this field are defined by your radio. |
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13 | 20 | Dan Smith | ## Frequency |
14 | 1 | Dan Smith | |
15 | This defines the receive frequency of the channel in Megahertz. If Duplex is set to None, then it is also the transmit frequency of the channel. |
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16 | 3 | Dan Smith | |
17 | 20 | Dan Smith | ## Name |
18 | 3 | Dan Smith | |
19 | 14 | Jim Unroe | This is the alphanumeric label for the memory, as displayed on the front panel. The length and valid characters are defined by what the radio is capable of supporting. |
20 | 3 | Dan Smith | |
21 | 20 | Dan Smith | ## Tone Mode |
22 | 3 | Dan Smith | |
23 | This sets the mode used to transmit or receive squelch tones (or related selective calling technologies). The following explains what the options means: |
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25 | 4 | Dan Smith | * *(None)*: No tone or code is transmitted, receive squelch is open or carrier-triggered. |
26 | * *Tone*: A single CTCSS tone is transmitted, receive squelch is open or carrier-triggered. The tone used is that which is set in the *Tone* column. |
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27 | * *TSQL*: A single CTCSS tone is transmitted, receive squelch is tone-coded to the _same_ tone. The tone used is that which is set in the *ToneSql* column. |
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28 | * *DTCS*: A single DTCS/DCS code is transmitted, receive squelch is digitally tone-coded to the _same_ code. The code used is that which is set in the *DTCS Code* column. |
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29 | * *Cross*: A complex arrangement of squelch technologies is in use. See the definition of the *Cross Mode* column for details. |
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31 | 20 | Dan Smith | ## Tone |
32 | 4 | Dan Smith | |
33 | This sets the CTCSS tone to be transmitted if the *Tone Mode* is set to *Tone*. In *Cross* mode, it has additional meanings (see description of *Cross Mode* for more details). |
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35 | 20 | Dan Smith | ## ToneSql |
36 | 4 | Dan Smith | |
37 | This sets the CTCSS tone to be transmitted and used for receiver squelch if the *Tone Mode* is set to *TSQL*. In *Cross* mode it has additional meanings (see description of *Cross Mode* for more details). |
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39 | 20 | Dan Smith | ## DTCS Code |
40 | 4 | Dan Smith | |
41 | This sets the DTCS code to be transmitted and used for receiver squelch if the *Tone Mode* is set to *DTCS*. In *Cross* mode it has additional meanings (see description of *Cross Mode* for more details). |
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43 | 20 | Dan Smith | ## DTCS Rx Code |
44 | 15 | Jim Unroe | |
45 | 17 | Jim Unroe | This sets the DTCS code to be used for receiver squelch (if the radio supports this capability) and *Tone Mode* is set to *Cross* (see description of *Cross Mode* for more details). |
46 | 15 | Jim Unroe | |
47 | 20 | Dan Smith | ## DTCS Pol |
48 | 4 | Dan Smith | |
49 | This sets the DTCS polarity of the transmitted code and the code used for the receive squelch any time DTCS is used for transmit or receive squelch. The first character pertains to the transmit polarity and the second pertains to receive polarity. The corresponding character is N for normal or R for reversed (aka "inverted") polarity. |
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51 | 20 | Dan Smith | ## Duplex |
52 | 4 | Dan Smith | |
53 | 12 | Jim Unroe | This sets the duplex mode of the channel. If set to *(None)* then the transmit and receive frequencies are the same. If set to either *+* or *-* (plus or minus) then the transmit frequency will be either above or below (respectively) the receive frequency by the value of the *Offset* field. |
54 | 4 | Dan Smith | |
55 | If the duplex is set to *split* then the *Offset* field should contain the absolute transmit frequency to be used (if the radio supports this capability). |
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56 | |||
57 | If the duplex is set to *off* then transmission on this channel will be disabled (if the radio supports this capability). |
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58 | |||
59 | 19 | Dan Smith | Note that for simplex channels, this should be set to *(None)* and repeater channels should have this set to either *+,-,* or *split*. |
60 | 5 | Dan Smith | |
61 | 20 | Dan Smith | ## Offset |
62 | 5 | Dan Smith | |
63 | 10 | Jim Unroe | This sets the amount of difference between the transmit and receive frequencies used for the channel if *Duplex* is not *(None)* or *off* (in which case it is ignored). If the *Duplex* is set to a shift direction, then the *Offset* field should be set to the amount (in Megahertz) above or below the receive frequency to shift to find the transmit frequency. If *Duplex* is set to *split* then the *Offset* field should be set to an absolute transmit frequency. |
64 | 5 | Dan Smith | |
65 | 20 | Dan Smith | ## Mode |
66 | 5 | Dan Smith | |
67 | This controls the transmit and receive mode of the channel. The following lists the common values and their meanings: |
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68 | |||
69 | 6 | Dan Smith | * *FM*: "Wide" FM for two-way communications (i.e. 5 kHz deviation) |
70 | * *NFM*: "Narrow" FM for two-way communications (i.e. 2.5 kHz deviation) |
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71 | * *WFM*: "Wide" FM for broadcast communications (i.e. ~100 kHz deviation) |
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72 | * *AM*: "Narrow" AM for two-way communications (i.e. aircraft band in the US) |
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73 | * *DV*: Icom's digital D-STAR mode |
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74 | 21 | Dan Smith | * *DN*: Yaesu's SystemFusion digital voice mose |
75 | 5 | Dan Smith | |
76 | 20 | Dan Smith | ## Tune Step |
77 | 5 | Dan Smith | |
78 | The tuning step used to channelize the receive frequency. |
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79 | |||
80 | 20 | Dan Smith | ## Skip |
81 | 5 | Dan Smith | |
82 | The scan skip mode for the channel. The values and their meanings are: |
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83 | |||
84 | * *S*: Skip this channel during scan |
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85 | * *P*: This channel is a priority |
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86 | 7 | Dan Smith | |
87 | 20 | Dan Smith | ## Cross Mode |
88 | 7 | Dan Smith | |
89 | This field controls the squelch behavior of the channel when the *Tone Mode* is set to *Cross*. Each value consists of two technologies separated by an arrow (*->*). The value to the left of the arrow controls the selective-call method used on transmit, while the one to the right of the arrow controls the receive squelch. The possible values are: |
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90 | |||
91 | * *Tone*: CTCSS tones are used. Transmit tone is taken from the *Tone* column, receive tone from the *ToneSql* column. |
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92 | 13 | Jim Unroe | * *DTCS*: DTCS/DCS codes are used. Transmit code is taken from the *DTCS Code* column, receive code from the *DTCS Rx Code* column. |
93 | 7 | Dan Smith | * <blank>: Indicates that no method is used for this, either transmit or receive. |
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95 | The *Cross Mode* field allows addressing more commercial modes of squelch operation, such as using different tones or codes for transmit and receive. For example: |
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96 | |||
97 | * *Tone->Tone*: This means use the *Tone* value for transmit tone, and the *ToneSql* value for receive squelch |
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98 | 16 | Jim Unroe | * *Tone->DTCS*: This means use the *Tone* value for transmit tone, and the *DTCS Rx Code* value for receive squelch |
99 | * *DTCS->Tone*: This means use the *DTCS Code* value for transmit code, and the *ToneSql* value for receive squelch |
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100 | * *->Tone*: This means do not transmit a *Tone* or *DTCS Code*, but use the *ToneSql* value for receive squelch |
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101 | * *->DTCS*: This means do not transmit a *Tone* or *DTCS Code*, but use the *DTCS Rx Code* value for receive squelch |
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102 | * *DTCS->*: This means use the *DTCS Code* value for transmit code, and receive squelch is open or carrier-triggered |
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103 | * *DTCS->DTCS*: This means use the *DTCS Code* value for transmit code, and the *DTCS Rx Code* value for receive squelch |